Sneachda Tam by Stefanie Pollmeier

Sneachda Tam by Stefanie Pollmeier, knit in Terra Firma

Sneachda Tam by Stefanie Pollmeier, knit in Terra Firma

Stefanie Pollmeier, a knitwear designer in Münster, Germany designed this great slouchy tam for us in our sock yarn (Tough Love Sock or CashLuxe Fine). It features a deceptively simple textured pattern forming into a snowflake-like shape on the crown. Your Sneachda Tam will be crisp and perky when knit with a springy sock yarn or smooth and slouchy in a soft luxury blend.

If you were intrigued by the name, Sneachda is Scottish Gaelic for “snow”.

To knit this tam, you’ll need just one skein of Tough Love Sock or CashLuxe Fine and a set of 2.5 mm DPNs (or circulars, if you do magic loop). Get the pattern on Ravelry now »

We caught up with designer, Stefanie Pollmeier, to find out a bit more about her! Read on:

What is your preferred type of yarn to work with?
Regarding yarn, I’m a boring conservative. I prefer smooth texture, solid or semisolid colourways, medium weights, natural fibers. Those are, in my eyes, the most versatile — you can turn them into everything your imagination can come up with.

What is your knitting style? Continental or English or both?
I knit continental. I’d love to be able to do both (so handy for colourwork knitting), but my attempts so far have been less than successful. You know the feeling of suddenly having only thumbs on your hand? That’s me trying to knit English style…

How did you learn to knit?
It started when I was little with garter stitch rectangles. And stayed there for quite a while. Though my mother was a great knitter, she was no knitting teacher! But I returned to knitting time and again after long periods of abstinence, and finally got hooked for good when I discovered all that wealth of patterns, knowledge, teachers and communities of knitters on the internet.

Do you practise any other fibre crafts?
You bet! I’m a fiberholic (though knitting has been taking first place for quite a while now). I do a little crochet, own a small weaving loom and a spinning wheel as well as a few drop spindles. For a few years I’ve been recreating historic textiles with ancient techniques such as tablet-weaving and needle binding from handspun yarns I dyed with plants I gathered or grew myself. Point me in the general direction of a fiber related craft and I’ll go for it!

Do you find inspiration in other artistic media, such as film, painting, clay or photography?
Rarely.

Are you drawn to any particular textures or attributes of knitted fabric?
I like the versatility — the fascination that with the same yarn and needles you can create such a wealth of different textures and styles, and I love to combine those in a design.

What is the best piece of knitting advice you have ever been given?
I really can’t tell. I’ve learned so much over the years — and I’ve benefitted from all of it. So maybe the best piece of knitting advice I could give you is: Never stop learning. Always try out something new. Be ever on the lookout for a better technique, a different construction method, a new way of doing something that you’ve done hundreds of times before. You might discover a hidden treasure…

What tip(s) would you give to an aspiring designer?
Just do it! Read patterns by many designers to learn about pattern structure and writing style and find your own preferences. Join a designer community (the Ravelry groups for designers and budding designers offer invaluable advice, for example). Submit your ideas to publications — even if you end up self-publishing, I find that immensely useful to help structure my thoughts and ideas on a particular design and give it a good hard look regarding feasibility.

What kind of needles or hooks do you prefer to use? ie Metal, acrylic, or wood? Straight, circular, or DPN? Why?
No general preferences here. I’m glad there’s so many to choose from, so I can always use the best tool for the task at hand.

Did you learn something new writing this pattern?
Oh, definitely! This is my first published tam design — I learned a lot about the different ways of spacing and calculating the decreases and how the chosen decrease technique affects the form and style of the crown.

How did you name this pattern?
The finished crown of the tam reminded me of a snowflake — but a Ravelry pattern search for designs named something with snow or snowflake turned up a whole bunch of patterns. I didn’t want to steal the name, so I turned to other languages. Since I have a particular affinity to the Celtic languages (who wouldn’t love a language that can string dozens of letters together and pronounce them ‘a’?) and found: ‘Sneachda’ (Scottish Gaelic for snow).

Where did you get the inspiration to design this pattern?
I’d been playing around with the ringlet stitch for a while — swatching and considering how and where I could use this stitch. That’s often where I start: I stumble upon a stitch pattern or find a pleasing texture and set out to design something that lets this feature shine. The ringlet stitch, I discovered, looked good combined with decreases. I didn’t feel like making a bottom up shawl out of it, so I turned to the other accessory that features lots of decreases — a tam! I swatched, I liked the look, I wrote a pattern… :)

Did you encounter any ‘hang ups’ writing this pattern?
Luckily, no. I usually do, but this was smooth sailing all the way through.

Thank you to Stefanie for the great pattern! And thank you to Tara Rafiq, our test knitter, Katherine Vaughan, our tech editor, and my lovely future sister-in-law, Annica, for modeling the tam! Hope you enjoy knitting this one!